Abstract

The present paper generally deals with rhyme in Goran’s poems. It is an analytical descriptive work attempts to examine and present the rhyme devices and techniques used by Goran as well as statistically presenting the different types of rhyme used in his poems. The scope of the work only covers the (42) prosodic poems of Goran written in the Arabic Prosody Rhythm. The work aims at highlighting the rhyme side of the selected (prosodic) poems, while defocusing the whole prosodic side of them. It also aims at showing Groan’s craftsmanship and artistry in using the rhyme devices and techniques, and his commitment to rhyme. The study, along with its introduction and conclusion, is divided into two main sections: the first section addresses rhyme and the sounds of rhyme like nucleus, onset and coda, and the other details of rhyme, as well as the rhyming word, the pre-rhyming word and the post-rhyming word. The second section is dedicated to the different types of rhyme used by Goran, like Unified Rhyme, Mathnawi Rhyme, Quatrain Rhyme, Sestina Rhyme, Octave Rhyme and Stanza. Then, the statistics and percentages of each of these types of rhyme are presented. The study ends with some conclusions drawn.

Keywords:

• سه‌روا ، ڕه‌وی ، پێش ڕه‌وی ، پاش سه‌روا (ڕه‌دیف) . گۆران.,
• الرّوي ، الحرف الّذي يسبق الروي ، الرّدف ، گوران,
• Rhyme, Nucleus, Onset, Coda and Goran